In the meantime photography became fundamental for Pengo, both as an experience for conceptual analysis and as a new way of pictorial interaction carried out by manipulating the photographic films. In 1975 he was among the founders of the artistic group Azionecritica, whose artistic activities, such as performances and murales, are carried out in many neighborhoods in Padua, together with the Odin Teatret of Eugenio Barba. In 1970 Pengo earned the first prize at the "Tenth Triveneta of the Joung Artists". Focused more on the authenticity of the artistic experience, on its effectiveness method that to the acknowledgments of the market, he participated in these years in two national exhibitions: in 1975 at the X Quadriennale in Rome and in 1976 at the annual exhibition of the Bevilacqua La Masa Foundation in Venice. In the wake of this new awareness, Pengo started experimenting with new art languages: performances, happenings, use of the photographic medium and industrial materials.
PENGO RECORDS SERIAL
Rigorously cerebral serial structures led to the almost true essence of colour and to the obsessive recording of the distinct characters of an alienated and programmed society. Two other important personal exhibitions of this period are at the gallery "Il Giorno" in Milan and at the gallery "La Chiocciola" in Padua.ĭuring the first half of the 1970s, Pengo's work departed from his academic formation and the existentialistic expressiveness and reached new ways of experimentation. After his academic formation at the Arts Institute at Padua, where he mastered the different artistic techniques and disciplines, in 1969, during his first personal exhibition, the renowned Italian poet and writer Diego Valeri introduced him to the art gallery "Traghetto" in Venice.
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